Sunday, January 27, 2008

The Living Window

It’s a long dark winter in these mountains. Black, white and grey, greenblack, blue grey, light held in the snow and the clouds, not much left over. Our lives are shaped and conditioned by light or by its a absence.

I recall the church I used to attend in Montreal forty years ago. Cold and dark indeed, and a winter that held its grip well into April. Even on the dark days the stained-glass windows were full of light. The rich blues and reds would take what light there was and turn it into warmth, and when the winter sun did come out the windows would explode with coloured fire.

Light is interesting that way. You can’t see it at all until it comes into relationship with something, and when it does, as far instance with stained glass, it is held and defined by that relationship. It’s maybe not a big stretch to think about the Divine, the Light Itself, in the same way. One Light, lots of windows. No window, no Light. When the Light hits the window, the window becomes alive. We build the windows ourselves, either individually or as a culture – and it seems pretty important to remember that when the window takes on a life of its own. The many different kinds of Jesus windows, Buddha windows, Mohammed windows, Krishna windows, are alive.

The Tarot itself can be seen this way, as a set of seventy-eight stained glass windows, each coming to life when it`s pointed at the Light. The card that may speak most clearly about this is the Magician.

The Magician is the first Form. When the raw energy arcs into the Manifest it can leap into Action (the Fool) or Form (the Magician). The Magician has access to raw undefined Light. As light holds all the colours of the spectrum, so Light holds all the Potentiality of Form. Think Big Bang. The first supercharged superheated unimaginable particle which held the whole universe in itself. The Magician says `Build it and They will come. ``

The Fool leaps and the Magician dances. You can`t hear the music till you watch him dance.

Wednesday, January 16, 2008

Jan 16 - ice between the worlds

We don’t see much blue sky in the winter here. Today it’s clear and cold and the mountains are sharply defined. In the sun the snow is brilliant, blinding, and in the shade its a cold mathematical blue. It’s reminding me of the vivid, crystalline Ontario winters of my childhood. I have always loved the cold, and as I riffle the deck of childhood memories I see that my first strong apprehensions of the absolute beauty of the natural world always came around winter. I remember (probably I was nine) snow flashing like tiny sparks in the moonlight, the snow piled several feet deep, and the tiny cold flakes each falling like white sparks. I remember an icy field at sunset, like being inside an amethyst.
My walk to school passed beside a pond, and I remember one winter when there was a hard early freeze. I tested the ice and found it would take my weight. On my hands and knees, cold seeping through the knees of my lined (we wore blue jeans with what I suppose must have been flannelette linings – I haven’t seen those for years – they were horrible when they were wet) jeans, I looked into another world. The boundary between the two realities, water world and air world, was suddenly at the same time stunningly defined, and invisible. It was like looking through a window. The barrier between the two worlds was at the same time utterly impenetrable, and totally transparent.
The Six of Swords stands for that kind of separation. Older classical decks suggest exile and separation. It has been called the Lord of Science, and it stands for distance. Sometimes to see a thing in its articulation we have to stand away. The more we see it, the more we are disengaged. The Hermit’s departure point is the six, and while he may appear to return from his journey, it will not be as it was, and he will not re-engage. Working on the ground it says get your ego-attachment out of the way. As long as you’re in the picture you can’t see it. The hard thing, the thing that stops, is that you know that once you do this, it’s a one-way trip. When you swim in the water the water moves around you, and the things that live in it are all dealing with your passage, your presence, the displacement created by your mass and your movement. When ice separates you the water world no longer knows you and it goes on its way as if you were not there. At its hardest the six of swords can be a lonely impotent ghost – the result of refusing the separation in your life. At its best it brings true objectivity and a passionate clarit

Friday, January 4, 2008

Seven of Cups - the Elf-King's Daughters

It’s cello weather. The sky is white and very low, the mountains lost in cloud. The river is black and the snow on the black trees is dripping. It’s an almost monochrome world, perhaps like living inside a liquid pearl. The immediate response is light – lamps, stove, fireplace. The holidays are over, the light is slowly but perceptibly creeping back, the Christmas decorations are put away, along with the presents, and life feels clean and empty, maybe a little sad.

The new year feels a bit like a new and empty book, a gift from someone we feel we ought to love but aren’t sure we do. Writing in the book feels what, feels fake somehow, like walking away from the truth. Blank pages in an empty book may be more truthful than anything we can say or live – the cool empty hiss of the white page, like white noise, unlived life. The latent may always be more truthful than the manifest, no?

This is the world of the seven of cups, everything melting into everything else. The truest path right now is the one we don’t see. Moving, almost featureless, the outer world is best left to its own devices – don’t grab, don’t define, don’t strain your eyes looking into the moving grey mist. Come home and light the lamps. The Elf King’s daughters are dancing out there in the mist; you may hear their voices, but it’s generally best not to try and catch them.

If you stay home the seven of cups will make your hearth bright, your fire steady. The seven of cups, like water itself, is a great transmitter of sound. And if you release into music right now you may find something you hadn’t realized you were looking for.